Dickinson’s poem: “Because I could not stop for Death”

Emily Dickinsons numbers Because I could not chip off for Death is her personal take on the mystical relationship betwixt life and death. She addresses death from a somewhat cynical and very unique point of view, using metaphor and symbolic imagery to relay her important point, which is that infinity exists here on earth. To get to this point she contrasts the relationship between eternity and the present, and she poeticizes her personal assumptions pertaining to the afterlife. In the first two lines of her poem, she personifies death as a tall dark and civil man, whose flattering kindness causes her to be swept away.This is most apparently enforced through lines 6-8 when Dickenson says, And I had target away/ My labor and my leisure too/ For His Civility- (Dickenson, 6-8). Here it is easily identify to the reader that Dickenson feels no threat from death and she is even slightly esteemed to be in his company. The irony of this statement proposes that death is possibly a casua l and antiquated part of life, and not as vile or harsh as some of the many methods through which we go about achieving it. A major motif used in the poem is the construction of time.The contrast between the temporary and precipitation-full rush of the present with the open-ended nature of eternity is the briny focus of the work, and the force that drives it. It can be seen passim the poem in multiple ways. This contrasted relationship between the present and eternity is first initiated with the opening line, Because I could not fall by the wayside for Death-/He cordial stopped for me- (Dickenson, 1&2). This motif is further used when Dickenson refers to immortality macrocosm in the carriage with her, and then when she says, We slowly drove- He knew no haste (Dickenson, 5).Deaths inclination to drive the carriage slowly is most presumable due to the idea that time has no meaning in the hereafter. sequence on earth is measured by the sun, but this time place does not ap ply to death, nor to Dickenson any more(prenominal) now that she is dead. Her recognition of this event is other pinnacle point of contrast between the present and eternity. She even acknowledges this care for of the sun to signify time when she says, We passed the Setting Sun- / Or rather- He passed Us- (Dickenson, 12 & 13).Once she passes the sun, and the sun passes her, their relationship no longer has a carriage on her existence. From this moment on in the poem, all of Dickinsons verses manufacture her personal assumption of the afterlife, and these lines attempt to find meaning in the unknown. As Dickinson settles into the reality of her own death, she uses phrases handle Dews drew quivering and chill- (Dickenson, 14), and terms like Gossamer and Tulle referring to the thickness of her clothing, to point out that it is very cold where she is deviation and she failed to prepare for the trip.This is a very ironic notion considering that angiotensin-converting enzyme ma in premise of this poem is that death is unexpected and waits for no ones schedule to be clear. Dickinson then likens her soon to be grave to that of a house, which she says looks like the swelling of the ground (Dickinson, 18). Before she comes to her final realization, Dickinson makes her very extend comparison to time and eternity when she says, Since then tis Centuries and yet / Feels shorter than the Day (Dickenson, 20 & 21).Here she identifies that she no longer has the same concept of time, as when she was living. This corresponds with her blend in two lines and her realization that all along immortality had been right beside her. She realizes this through recognizing that the horses heads were facing eternity. I took this as another way of saying time is ever-changing and moving forward and like the children she sees playing, and all of the other surroundings, we are among this sempiternal stream as well.In sum, Dickinsons poem Because I could not stop for Death, be comes a critique on the way most view life. a few(prenominal) are given the possibility to know the exact moment of their death. Dickenson acknowledges this fact and turns it into a very mystical about entrance into the afterlife. With no more than 24 lines she tells a very saying tale, and where most stories begin with one living and then dying, her begins with her death and ends with her finding the truth behind immortality. This poem is a fable for the living.