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Tuesday, January 15, 2019

Paul Cezanne, Pines And Rocks Essay

Paul Cezanne, Pines and Rocks, 1896-99 Oil on try out Museum of Modern Art This simple painting of a small, intimate ornament is a good example of Paul Cezannes mastery of the impressionist style. The scene is of a rocky path, possibly a hiking trail on the side of a mountain, and a few trees that veil the sky in patches of leaves. Cezannes method of painting is rather interesting, in that he paints each stroke like a plate of color, creating an overlapping mosaic. The palette he chose is also remarkable with self-luminous, around cartoonish shades of pigment that give an cardinal sense of realism to the painting. Looking at Cezannes work very much makes one wonder if impressionism is a study of light being pasture on objects or of life being cast out from the object.The overall feel of a painting is often determined by the port each brushstroke is applied to the canvas. Cezannes work resembles a mosaic piece, remove his blocks of color are intermixed and overlap eachother. Each brushstroke rests on its own categorical in the painted space, giving the painting a sense of reasonableness unique to the three-dimensional information of the trees off in the distance and the boulders on the ground. The thick, dark outline of the trees and rocks also add depth to the piece, separating the shaded trail from the lambent midday sky. Using a little imagination, one can almost pick off individual leaves from the green and brown patches of paint utilise to represent them.Cezannes choice of color is exceptional in expressing the busy mood in a scene, as shown in this painting. A mysterious blend of purples, reds, and browns in the rocks and tree trunks nicely compliments the bright blue sky and green foliage. The dull, muted tones of the rocks give weight and sombreness to the scene while the light and dark greens seem to dance in the winds of the sky blue background. Lighting and shadows are also sound done to add the final touch of depth to the piece.

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